Two Plasma Interpretations of Portions of Revelation

Since posts on the subject of plasma cosmology and interplanetary interpretations of prophecy have already been written, in this post I will avoid expounding on particulars such as the sun darkened, moon turning to blood, hail mingled with fire, beasts, olive trees, thunderings and lightnings, etc. and focus on the new pieces of information I have received.

Even though I just said that — as an introduction, I will state here that it is my understanding that the prophetic narratives in scripture take as their template events that unfold in the heavens:  i.e. the movements of planets and their interactions with each other.  “Prophecy” is merely the description of planetary movements and plasma interactions.

The imagery in a prophetic story is imagery observed in the sky.  The mention of a “sword”, doesn’t mean a literal, physical sword floating around in outer space – but that there are planetary movements and plasma formations that, when seen from the perspective of Earth, create the image of a sword.

Prophecy is simply the movements of planetary bodies and the resulting plasma interactions, converted into a narrative that describe patterns that likewise play out in earthly evens.  Meaning that after the planets go through their described motions, fulfilling the elements of the prophecy every whit – the same story then plays out here on Earth.

The planets are not just big physical balls of gas and rock – but they are also the idea of what those planets mean – the planets being used as a way to represent a pattern of things taking place among mankind [or within yourself] as thought it is a physical event transpiring in the sky.

Mankind has a natural tendency or instinct to worship, which is tied to what happens in the heavens, among the planets. This is because human brain cycles are tied to the cycles of the heavenly bodies (planets, sun, comets, etc.), and when the planets are active, the urge to worship comes as a fanatical devotion.  This urge is as basic as our sexual urge and is a part of our natural state of existence [meaning atheism, like monogamy, is a more recent human invention].

When the heavens are active, the devil’s strategy is to direct that fanatical devotion in the wrong direction by introducing idolatry.  However, when the skies are asleep [like they are right now], the instinct to worship does not pull on us as greatly and so the devil works to suppress the urge to worship altogether.

Now — with that in mind, I want to introduce the following post as a new piece of information that I received with respect to two particular portions of the Book of Revelation.  In this post, I will not go into the planetary interpretations of the trumpet blasts, earthquakes, lightnings, moon turning to blood, the two witnesses, etc.  Nor will I go into the various earthly interpretations that these events may also represent.

Piece of Information #1:  When the calamities associated with the Book of Revelation begin to unfold, mankind is going to respond one of two ways. 

A Planet and a Plasma Column Descending to the Earth:

And immediately I was in the spirit: and, behold, a throne was set in heaven, and one sat on the throne.  And he that sat was to look upon like a jasper and a sardine stone: and there was a rainbow round about the throne, in sight like unto an emerald.

And out of the throne proceeded lightnings and thunderings and voices:

The one who sits on the throne is the planet known as God, or Elohim.  His throne is a pillar or column of a plasma channel that reaches down to the earth.

Four Planetary Pass-bys Affect the Unrighteous of the Earth:

And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him.

A planetary body passes by that appears white in color, with a plasma discharge resembling a bow at the South pole and a crown at the North.

And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth, and that they should kill on another: and there was given unto him a great sword.

A planetary body passes by that appears red in color, with a plasma discharge resembling a sword.

According to Velikovsky, “The Roman god Mars was pictured with a sword, and he became the god of war.  Of this same sword Isaiah spoke when he predicted the repetition of the catastrophe, a stream of brimstone, flame, storm, and reeling of the sky.  The ancients classified the comets according to their appearance.  In old astrological texts, as in the book of Prophecies of Daniel, comets that took the form of a sword were originally related to the planet of Mars,” — which planet just so happens to be red in color.

But that’s just my speculation on this particular planetary body.

And I beheld, and lo a black horse; and he that sat on him had a pair of balances in his hand.

A planetary body passes by that manifests no color, with a plasma discharge resembling a pair of balances on either side.

And I looked, and behold a pale [green] horse: and his name that sat on him was Death, and Hell followed with him.

A final planetary body passes by that is green in color, with an orbiting satellite.

There was a great earthquake; and the sun became black as sackcloth of hair, and the moon became as blood; And the stars of heaven fell unto the earth.

And the kings of the earth, and the great men, and the rich men, and the chief captains, and the mighty men, and every bondman, and every free man, hid themselves in the dens and in the rocks of the mountains; And said to the mountains and rocks, “Fall on us, and hid us from the face of him that sitteth on the throne, and from the wrath of the Lamb.”

The effect of these four near pass-bys of planetary bodies is a great earthquake, the sun being darkened, the moon glowing red, and asteroids falling to the earth.  When these events start to unfold, the great men of renown on the earth will seek out their underground compounds to hide from the asteroid collisions.  Others will merely seek out caves and mountain hiding places.

The Righteous do not seek Refuge Underground:

I beheld, and, lo, a great multitude, which no man could number, of all nations, and kindreds, and people, and tongues, stood before the throne, and before the Lamb, clothed with white robes, and palms in their hands; And cried with a loud voice, saying, “Salvation to our God which sitteth upon the throne, and unto the Lamb.”

These are they which came out of great tribulation, and have washed their robes, and made them white in the blood of the Lamb.  Therefore are they before the throne of God, and serve him day and night in his temple: and he that sitteth on the throne shall dwell among them.  They shall hunger no more; neither shall the sun light on them, nor any heat.  For the Lamb which is in the midst of the throne shall feed them, and shall lead them unto living fountains of waters: and God shall wipe away all tears from their eyes.

The meek of the earth will not seek refuge in underground compounds.  Rather, they will gather together under the shadow of the God who sitteth on the throne [within the plasma column].  Here, in his “temple”, the righteous will be fed by precipitating carbohydrate compounds [manna] and fountains of water.

Piece of Information #2:  The woman clothed with the sun and her relationship to the Babylon the whore.

A Planet Ready to Birth a Rocky Satellite:

A woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve starts: And she being with child cried, travailing in birth, and pained to be delivered.

The woman is a radiant [or discharging] planet that is about to give birth to a rocky satellite out of one of her polar openings.

A Red Planet Attempts to Destroy the Birthed Satellite:

A great red dragon, having seven heads and ten horns, and seven crowns upon his heads.  And his tail drew the third part of the stars of heaven, and did cast them to the earth: and the dragon stood before the woman which was ready to be delivered, for to devour her child as soon as it was born.

The great red dragon is a planetary body that displays a plasma discharge characterized by ten horn-like projections with seven orbiting satellites.  It will resemble a comet [because it will have a tail].  The Red Planet travels near to where the radiant Woman Planet is in an attempt to destroy the rocky satellite that she is about to expel.

The Woman Planet Births the Rocky Satellite:

And she brought forth a man child, who was to rule all nations with a rod of iron: and her child was caught up unto God, and to his throne.

After the rocky satellite comes out of one of the polar openings, it is captured by the gravity of the planet seated on the plasma “throne” where it will orbit – and not be destroyed by the Red Planet.

And the woman fled into the wilderness, where she hath a place prepared of God, that they should feed her there a thousand two hundred and threescore days.

After the birthing process, the Woman Planet departs to a different place in the sky, low on the horizon.

The Servant Planet Michael Wars with the Red Planet:

And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels, And prevailed not; neither was their place found any more in heaven.  And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world; he was cast out into the earth, and his angels were cast out with him.

The Servant Planet known as Michael and his accompanying Servant Planets come in and scatter the Red Planet and cause it to be cast down low on the horizon.

The Red Planet Persecutes the Woman Planet:

“Therefore rejoice, ye heavens, and ye that dwell in them.  Woe to the inhabiters of the earth and of the sea!  for the devil is come down unto you, having great wrath, because he knoweth that he hath but a short time.”

And when the dragon saw that he was cast unto the earth, he persecuted the woman which brought forth the man child.  And to the woman were given two wings of a great eagle, that she might fly unto the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.

And the serpent cast out of his mouth water as a flood after the woman, that he might cause her to be carried away of the flood.  And the earth helped the woman, and the earth opened her mouth, and swallowed up the flood which the dragon cast out of his mouth.  And the dragon was wroth with the woman, and went to make war with the remnant of her seed, which keep the commandments of God, and have the testimony of Jesus Christ.

Now that the Red Planet is cast low on the horizon, it is near to where the Woman Planet traveled.  This Planet then manifests a plasma discharge resembling wings and travels out of sight below the horizon and out of the scene [for the time being].

The Two Beasts:

I stood upon the sand of the sea, and saw a beast rise up out of the sea, having seven heads and ten horns, and upon his horns ten crowns, and upon his heads the name of blasphemy.  And the dragon gave him his power, and his seat, and great authority.

And all the world wondered after the beast.  And they worshipped the dragon which gave power unto the beast: and they worshipped the dragon which gave power unto the beast: and they worshipped the beast, saying, “Who is like unto the beast?  who is able to make war with him?”

The first beast is a planetary body that arises up from the horizon over an ocean, discharging ten horn-like projections and having seven orbiting satellites – much like the Red Planet earlier.  At this point, the interplanetary displays between the Red Planet and this new beast will cause real idolatry to return.

And I beheld another beast coming up out of the earth; and he had two horns like a lamb, and he spake as a dragon.  And he exerciseth all the power of the first beast before him, and causeth the earth and them which dwell therein to worship the first beast.  And he doeth great wonders, so that he maketh fire come down from heaven on earth in the sight of men.

And deceiveth them that dwell on the earth by the means of those miracles which he had power to do in the sight of the beast; saying to them that dwell on the earth, that they should make an image to the beast.  And he had power to give life unto the image of the beast, that the image of the beast should both speak, and cause that as many as would not worship the image of the beast should be killed.  And he causeth all, both small and great, rich and poor, free and bond, to receive a mark in their right hand, or in their forehead: And that no man might buy or sell, save he that had the mark, or the name of the beast, or the number of his name.  For it is the number of a man; and his number is Six hundred threescore and six.

The second beast is a planetary body that arises up from the horizon over the land, discharging two horn-like projections.

Babylon:

And great Babylon came in remembrance before God, to give unto her the cup of the wine of the fierceness of his wrath.

And every island fled away, and the mountains were not found.  And there fell upon men a great hail out of heaven, and men blasphemed God because of the plague of the hail; for the plague thereof was exceeding great.

“Come hither; I will show unto thee the judgment of the great whore that sitteth upon many waters: With whom the kings of the earth have committed fornication, and the inhabitants of the earth have been made drunk with the wine of her fornication.”

So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured beast, full of names of blasphemy, having seven heads and ten horns.  And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand.

“I will tell thee the mystery of the woman, and of the beast that carrieth her, which hath the seven heads and ten horns.”

The great Babylon is the same planet that had previously appeared as the radiant Woman Planet who birthed the rocky satellite.  After the manifestation of the plasma wings, the Woman Planet descended below the horizon – where she will reappear after “coming in remembrance before God”, who is that Planet who sits on the plasma “throne”.

The Queen of Heaven, or Virgin Mother, returns as Babylon the Whore.  Both of these characters in the story a different representations of the same planetary body.  Once it returns, the planet will form a polar stack with the planet that arose from the horizon above the ocean [the first beast].  And this event is the final event before the massive ^EEAA_OOAA^EE Planet returns to our solar system and encapsulates the earth in its plasma cocoon for the duration of the Millennium.

At first, I didn’t understand what it meant that I was being shown that the Woman clothed with the sun is the same as the Whore.  From Catholic school, I know that the Catholics associate this imagery with the Virgin Mary – so it was strange for me to think about this planet also being the Whore.

As I read through some material to see what might explain this dream, I came to realize that it all has to do with my perspective.

Clothed, she is the Mother.  Virgin because she is not yet known.  But upon her return she is the Whore, revealing herself to all mankind, that they all may know her – for in the scriptural language, “to know” expresses the sexual union.

And Adam knew his wife, and she bare unto him sons and daughters, and they began to multiply and to replenish the earth.

We needn’t think that the “Whore” is an insult to the “Mother”.  Sex and nudity get labeled as vulgar or shameful because they represent the denial of individuality [the left-brain, masculine dynamic].  With sex, because it is the complete reception of another [becoming one flesh] – and with nudity because, well, we all look the same naked.  Clothed, I can distinguish myself into rank, class, or social group – but naked, I am Adam, retelling the creation drama of the garden of Eden.

So — she returns from her place in the wilderness, nourished, and now known as revelation — because she is fully revealed.  Of course, “revelation” is merely the Latin way of saying “apocalypse”, or the end of the world.  And it is her return that is the world’s destruction.

The cup of wine that she carries was given to her by God when she came in remembrance before Him.  It is the sacred cup – the sangreal – the bottomless chalice of compassion that King Arthur’s knights sought after so diligently, carrying their swords.  Which is, of course, the job of the knight – to break down the tower that holds the princess captive, to liberate her – to immerse the will in charity.

Thus, she is the Mother because of her compassion.  But the Whore because she receives all who come unto her and stoops low enough to encompass all things.  She represents the Heavenly Mother – the Womb that yields and receives, endlessly.  The outer darkness into which the Father’s seed will expand for ever and ever.

The Revelation of Jesus Christ, which God gave unto him, to shew unto his servants things which must shortly come to pass…

Jesus’ revelation will end the world as we know it – what we would call an apocalypse.  But the power by which God works is agency, meaning He only works through free agents choosing to act by way of persuasion, long-suffering, gentleness, meekness, etc. [without compulsory means].  And Jesus showed the world what the kingdom looks like by the miraculous works of the Father that He manifested – showing us how to end the reign of the four horsemen and establish the Reign of God.

Those works that He did are what bring about an apocalypse – but we [as free agents] must do those works for it to become reality – instead of just being the idea of Zion.

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The Keys to Prophecy X: What Joseph Taught

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© Anthony E. Larson, 2005

 The Keys to Prophecy X:

What Joseph Taught

Certainly, some will say that discussions of ancient myths, gods, goddesses and pagan beliefs have little to do with the restored gospel.  To others, perhaps all this analysis of prophetic symbols, planets, stars, beasts and dragons seems a bit removed from core gospel principles.

Most Saints pay little heed to such things in their gospel study, seeing it as irrelevant and therefore largely valueless.

After all, if reading the scriptures and praying are sufficient to understand the gospel, why not leave the study of planets and stars to the astronomers and analysis of pagan gods and goddesses to the mythologists?

The reply to such dismissive notions is the evidence that Joseph Smith taught these things.

It was Joseph who first wrote and spoke of planets and stars in connection with both ancient and prophetic events.  It was Joseph who placed the Egyptian documents alongside modern revelation and then included explanations.  It was Joseph who gave the pattern for those icons collocated on modern temple walls-not as mere décor, but as teaching tools.

Isn’t that incentive enough to look into these keys?  Indeed, the fact that Joseph taught these things makes it incumbent upon every Latter-day Saint to learn all they can about them.

If he deemed them important enough to reveal, we ignore them at our own peril.

These keys bear directly upon otherwise arcane aspects of the restored gospel, successfully explaining what has heretofore remained a mystery to most Saints-things such as temple symbols, the Pearl of Great Price facsimiles and a uniform system for interpreting prophecy.

Who would have thought that a systematic approach to the symbolism of prophecy would also explain such divergent elements as temple icons and Egyptian facsimiles?

A few examples that amplify one theme should suffice to convince us.

We have already seen Joseph’s “planet, comet” description of the “grand sign” of the last days and the second coming, recorded in his own journal, History of the Church.  That puts cosmic phenomena squarely under the prophecy heading.

In keeping with Joseph’s statement, in a 1951 General Conference talk, Elder LeGrand Richards reinforced the concept, saying that the latter-day signs will be caused by “some great phenomenon in the heavens, (a) misplacement of planets ….”

An interview with Homer M. Brown, a past Patriarch of the Granite, Utah, Stake, father of Elder Hugh B. Brown and grandson of Mr. and Mrs. Benjamin Brown, who gave Joseph Smith sanctuary from a mob in Nauvoo one evening, more fully explains the role of this misplaced planet and its effect on our Earth.

According to Patriarch Brown, these are Joseph’s words to his grandparents regarding a future encounter between a rogue planet and our Earth.  “Now, let me ask you what would cause the everlasting hills to tremble with more violence than the coming together of the two planets?

“Now, scientists will tell you that it is not scientific, that two planets coming together would be disastrous to both.  But, when two planets or other objects are traveling in the same direction and one of them with a little greater velocity than the other, it would not be disastrous because the one traveling faster would overtake the other.”

Corroboration comes from the journal of another early Saint, Samuel Hollister Rogers.  He paraphrases the prophet thusly:  “Not that the planets will come squarely against each other, in such case both planets would be broken to pieces.  But in their rolling motion they will come together … which will cause the earth to reel to and fro.”

Further confirmation is found in the Charles Walker journal, wherein he recounts learning from Eliza R. Snow that Joseph had taught her “the coming together of these two bodies or orbs would cause a shock and make the ‘Earth reel to and fro like a drunken man.'” 

The prophet obviously elaborated on this theme on many occasions, as we learn from yet another journal.

Wandle Mace described the same planetary conjunction scenario, adding this anecdote from the prophet:  “Some of you brethren have been coming up the river on a steamboat, and while seated at the table, the steamboat (ran) against a snag which upset the table and scattered the dishes.  So it will be (when these planets come together).  It will make the earth reel to and fro like a drunken man.”

Without the keys presented in this series, such remarkably consistent statements, attributed to Joseph Smith by early church members, have been discounted as extravagant and speculative by LDS scholars and all but forgotten in recent years by church members.  Yet, when seen as corroborative, they argue eloquently for Joseph’s view of the role that a vagabond planet will play in our future.

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The Keys to Prophecy VII: A New Heaven, a New Earth

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© Anthony E. Larson, 2005

The Keys to Prophecy VII:

A New Heaven, a New Earth

Our culture knows nothing of the incredible changes wrought in the heavens anciently.  This is so because of our ‘scientific’ view that there have been no significant changes in the solar system’s arrangement during recorded history.

But the scriptures and the prophets are insistent, in spite of our ‘scientific’ beliefs:  The heavens have repeatedly changed throughout ancient history.  This is a primary message the ancients and the prophets sought to convey to us across the millennia.

The result: Our modern ignorance of the true past blinds us to the unanimous declarations of our distant ancestors.

The concept of sweeping changes in the sky and the earth are found everywhere in the scriptures.  For example, in the Doctrine & Covenants we read: “And the end shall come, and the heaven and the earth shall be consumed and pass away, and there shall be a new heaven and a new earth.

“For all old things shall pass away, and all things shall become new, even the heaven and the earth, and all the fullness thereof, both men and beasts, the fowls of the air, and the fishes of the sea.” (D&C 29:23, 24.)

Also, “And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more sea. (Revelation 21:1.)

Perhaps the apostle Peter said it best when he spoke of the Deluge, explaining that it was the defining event that changed the ‘old heavens’ into the sky we see today.  “For this they willingly are ignorant of, that by the word of God the heavens were of old, and the earth standing out of the water and in the water.  Whereby the world that then was, being overflowed with water, perished:  But the heavens and the earth, which are now, by the same word are kept in store, reserved unto fire against the day of judgment and perdition of ungodly men.”  (2 Peter 3:5-7.)

Then, he went on to further explain that a similar change was in store for us in the last days.  “But the day of the Lord will come as a thief in the night; in the which the heavens shall pass away with a great noise, and the elements shall melt with fervent heat, the earth also and the works that are therein shall be burned up.”  (Ibid. 3:10.)

We read the same sort of language in the texts of all ancient cultures, where we find the pervasive, ever-present fear that something terrible that happened in the past would repeat itself in the future.  Indeed, all ancient cultures relate that there have been dramatic changes in the heavens, calling the epochs in between “ages” or “suns.”  The Greek philosopher Hesiod associates these ages with various metals, as does Daniel in his Old Testament vision of the statue with a head of gold, a torso of silver, belly and thighs of brass and legs of iron.

These fearsome changes were universally attributed to stars or planets in the form of gods, goddesses, beasts or serpents.  Surely, then, Joseph Smith was correct to call these images of the ancients “stars” and “planets,” as we have seen.

Even our language retains this key.  The words for world-changing cataclysms are catastrophe (cat-astro-phe) and disaster (dis-aster).  Both bear the same ‘astr’ root as the goddess-stars of antiquity: Aster, Astarte, Ashtoreth or Hathor.  In fact, one interpretation of the word “disaster” is literally “from the star.”

This the ancients feared above all: destruction from the stars that changed everything.

No wonder they were fiercely dedicated sky watchers, including prophets like Abraham, preoccupied with the motions of planets and stars.  No wonder they endlessly adorned their texts, temples and tombs with symbols and metaphors of star gods, goddesses and beasts derived from the appearance of those planets.

But because our culture and science turn a blind eye to these declarations, Latter-day Saints frequently fail to appreciate the many statements by Joseph Smith that echo the beliefs of the ancients: Planets and stars are the origins of almost all scriptural and prophetic imagery.

 Stars and planets on the Salt Lake Temple reflect an ancient, customary obsession with the heavens.  On the west wall buttresses, near the bottom of the photo are Sun Stones.  In the middle are the stars of the constellation Ursa Major, the Big Dipper.  Immediately above those is a repeated pattern of circles within a ring, called Saturn Stones by Brigham Young.

That’s why those images dominate the exterior of LDS temples, just as they did their ancient counterparts.  Our temples reflect both realities, the past and the present heavens.

The prophets, both ancient and modern, understood this key.  So should we.

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The Keys to Prophecy VI: A Great Star

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© Anthony E. Larson, 2006

The Keys to Prophecy VI:

A Great Star

If we look closely at the images venerated by the ancients from the point of view that they may have been inspired by planets standing in close proximity to the Earth, we see them with new eyes.  And because we adopt this view, we can read the explanations of symbols on Egyptian papyri by the prophet Joseph Smith with a fresh perspective that also gives an entirely new dynamic to the imagery of prophecy.

This key is crucial because ancient sky gazers the world over drew remarkably similar pictures and offered stunningly similar descriptions of things that do not exist in our sky, though this vital truth has not been generally recognized.

Amazingly, when we heed Joseph Smith’s hints that the gods, goddesses, beasts and other images of antiquity all found their inspiration in Earth’s ancient heavens, some of the most mysterious icons suddenly appear to be virtual snapshots of what the ancients saw in Earth’s skies.

The star-in-crescent symbol, for example, so dominant in ancient symbology, appears to be a combination or blending of two astral elements: One is the sunlit limb of a planet; the other is an aurora-like discharge from another planet.

These images of “stars” look nothing like things seen in our present heavens.  Yet, Joseph Smith implied that these are the planets and stars of antiquity.

Hence, the confusion of a star/planet symbol with the moon and stars is natural.  The only heavenly object we see today with a bright crescent is the moon.  But if other planets hovered near the Earth anciently, they would have also manifested this same crescent feature.

Certainly, the lighted crescent on the limb of neighboring planets became the basis for a multitude of symbols: the horns of a bovine, the crescent-shaped ship of heaven or the outspread wings of a bird, three of the most common symbols in ancient iconography-all seen in the Joseph Smith papyri as well as in apocalyptic and prophetic imagery.

If the planetary god’s crescent looked like outspread wings, then it could properly be described as a great heavenly bird and subsequently illustrated as a hawk or eagle.

Of course, its planetary disk is displayed over its head as well so there is no mistaking where the image originated.  This is precisely what we see in the ancient symbols.

If the planetary god’s or goddess’ crescent was seen as horns, he or she could be depicted as the bull or cow of heaven, a commonplace description in ancient texts of gods and goddesses.  For emphasis, again the planetary disk is set between the horns.

If the planet’s crescent appeared to be a ship carrying the planet around heaven, then the god-with a disk over his head, naturally-would be depicted sitting on the ship of heaven.  This, too, was a nearly universal depiction in Egyptian iconography.

Significantly, these same images, and many more like them, can be seen in the Joseph Smith Facsimile No.2, where they are most often called stars or planets.

Moreover, there must have been much more involved anciently than the simple, pacific presence of large orbs in the sky.  They must have been active, changing, interacting and dynamic powers to evoke the expressions they inspired.

For example, Sumerian texts celebrate the “terrifying glory” of Inanna (Ishtar, Astarte, Venus), invoking the goddess as “the Light of the World,” “the Amazement of the Lands,” “the Radiant Star,” “Great Light,” and “Queen of Heaven.”  The texts depict the goddess “clothed in radiance.”  And it was said that the world stood in “fear and trembling at [her] tempestuous radiance.”

Thus, we get the picture from the texts and the illustrations of a discharging planet, emitting aurora-like rays that form the basis for all ‘star’ imagery of antiquity.

The Sumerian “Exaltation of Inanna” says, “I want to address my greeting to her who fills the sky with her pure blaze, to the luminous one, to Inanna, as bright as the sun, to the great queen of heaven.

“You make the heavens tremble and the earth quake.  Great Priestess, who can soothe your troubled heart?  You flash like lightning over the highlands; you throw your firebrands across the earth.  Your deafening command…splits apart great mountains.”

An illustration taken from an Akkadian cylinder seal shows Ishtar (star) and her symbol, a planet with aurora-like discharge.

The wheel symbol of the Babylonian god Shamash (Sun) looks nothing like the Sun and further illustrates the discharge streamer or star idea.

Both the texts and the images of the ancients tell the same story, each complimenting the other.

In fact, this more fully explains why stars and planets were interchangeable in the ancient mind: In antiquity, a great, nearby planet metamorphosed into a brilliant, awe-inspiring object that earthlings chose to call “star.”  This alone explains the graphic language and the myriad star symbols used by the ancients for their star goddesses.

This also explains why all the ‘star’ icons, familiar to cultures worldwide, look nothing like the mere pinpoints of light in the night sky that we designate as stars.

No wonder Joseph explained that all these archaic images were either stars or planets.  They were!

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The Keys to Prophecy V: Stars and Planets

758 words

© Anthony E. Larson, 2005

 The Keys to Prophecy V:

Stars and Planets

Up to this point in our examination of the many clues to the extravagant images of prophecy, we have learned that we need not look to mystical texts or veiled mysteries for our answers.  Nor have we found that the answers lie in interpreting prophetic imagery with modern eyes.

Instead, we have found the answers in a more mundane source, in the scriptures and in ancient history-evidence that has been hiding in plain sight all along.

We discovered that the dragons, man-beasts, women, kings, angels, stars and other extravagant images encountered in the scriptures are but descriptive word pictures of the images that the ancients worshipped, the same icons seen in ancient temples, tombs and monuments.  We have seen that the imagery of prophecy and mythology spring from the same, ancient source, hence their similarities.

The next step is a bit larger leap of logic, but a crucial one: What do those images represent?

Looking at the Egyptian gods, we often see large circular icons on their heads, what scholars call “sun disks.”  The juxtaposition of the disks and the gods is extremely meaningful.

A common Egyptian theme, Ra (Re) is pictured seated in a bark or ship with a disk above his head.  This same scene can be seen on Facsimile No. 2, Figure 3, in the Book of Abraham.

Scholars explain that the ancients were sun worshippers, so those disks must represent the sun.  However, Joseph Smith contradicted that assumption when he gave us another key, and it has been before our very eyes for generations now.

Those disks and creatures, as Joseph repeatedly asserts in his explanations of the Pearl of Great Price facsimiles, represented planets and stars, not the sun.  The only exception is in Figure 5 in Facsimile No. 2, first called by Joseph a “governing planet.”  He then adds the comment that the Egyptians called it the Sun, which is true of the late, corrupted Egyptian traditions his papyrus represented.  But according to the earliest beliefs, her name designates this cow goddess as a star.

The cow depicted in Figure 5 was called Hathor, as we have seen.  Along with her equivalents in other cultures-Astarte, Aster and Ishtar-her name bore the root ‘s-t-r’ sound of our word ‘star’ (the ‘s’ and ‘t’ were pronounced with the ‘th’ sound in Hathor.) 

Keep in mind that the ancients’ designated all celestial objects as stars.  The word ‘planet’ (derived from the Greek ‘planeta,’ meaning ‘wanderer’) is a recent invention, thanks to the telescope that allows us to differentiate between stars and planets. 

Hence, Joseph Smith’s designation of a ‘s-t-r’ goddess as a planet is symbolically consistent and extremely meaningful.  He thus implies that the stars they worshipped were actually planets, the very thing the juxtaposed disks suggest.

Putting both the creature and the disk together-common practice in early Egyptian religious art-was symbolically accurate and a proper way to emphasize that they both represented the same thing, a planet or star.  In fact, this was a functional way to label the figures, since most people were illiterate.  Instead of text that read “star,” those pagan gods often carried or wore a symbol that bespoke their astral origin.

Some of the more elaborately rendered disk images, painted and rendered in relief, look to be nearly virtual snapshots of planets, a few complete with a sun-lit crescent.

Joseph Smith’s explanation of disk images such as these was that they represented planets, which is what all such Egyptian disk images resemble.

Let’s look closely at how emphatic Joseph Smith was in his explanations of these disks and creatures.

Kolob is said by Abraham to be “the greatest” of the stars (Kokaubeam), but it is represented in Facsimile No. 2, Figure 1 by a figure Egyptologists identify as Amon-Re or Khnum, the creator-god, thus implying that the god was an astral body.

The baboons on either side have what scholars call “moon disks,” presumably because of the crescent beneath the disk, placed over their heads in the traditional Egyptian manner.  But these disks do not represent the moon any more than others represent the sun.  Joseph insists that they are stars in his explanation of Figure 5.

What becomes clear is that the objects the early Egyptians called stars would be called planets in our time.  What we see in the disk illustrations are not stars, but planets.  Additionally, only planets have sun-lit crescents, as depicted in ancient art, not stars.

Joseph Smith understood.  He did not confuse the issue, as do modern scholars.  Indeed, one can suggest that what looks like confusion at first blush was no mix-up at all.  By freely substituting the two terms, Joseph honored the ancient tradition.  He acknowledged the ancients’ reality that some of today’s stars, now mere pinpoints of light, were actually great, nearby planets in antiquity, which dominated Earth’s heavens and were worshipped by their ancestors as gods.

Indeed, this hypothesis fits much better with Abraham’s vision of the ancient heavens and Joseph Smith’s explanations of the facsimile images than any current view.

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The Keys to Prophecy II: Joseph Smith’s Marvelous Key

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© Anthony E. Larson, 2004

The Keys To Prophecy II
Joseph Smith’s Marvelous Key

The first and perhaps most crucial key to prophecy was revealed in this dispensation by Joseph Smith when he spoke on the subject of scriptural imagery.

“The prophets do not declare that they saw a beast or beasts, but that they saw the image or figure of a beast. Daniel did not see an actual bear or a lion, but the images or figures of those beasts. The translation should have been rendered ‘image’ instead of ‘beast,’ in every instance where beasts are mentioned by the prophets.” (History of the Church, p. 343.)

Joseph’s use of the term “image” makes his meaning clear. Similar terms used by today’s scholars are “icon,” or “symbol.” In this context, all three words mean the same thing.

Beasts aren’t the only images in prophecy. We read of kings, stars, mountains, highways, temples, locusts and women as well, to name just a few. Drawing on Joseph’s statement, we can infer that all these are meant to convey meaning and not depict real creatures, individuals or objects. “When the prophets speak of seeing beasts in their visions, they mean that they saw the images, they being types to represent certain things.” (Ibid., p. 343.)

The profound importance of this bit of information becomes clear when we consider that “images” were the very things that the ancients venerated. When we look at Hebrew, Egyptian or Babylonian religious art, we are confronted by nothing but images and symbols. They are everywhere in ancient cultures, overwhelming and mysterious.

Open the quintessentially prophetic book of Revelation, and what leaps out at us, given this new perspective, are some of the same images we see on the walls of ancient temples and monuments. This is a key to scriptural iconography that almost everyone has missed, even though Joseph Smith made the connection, albeit obliquely.

For example, in that same sermon, the Prophet mentioned Daniel’s vision of a four-headed beast. One looked like a lion, another a bear and the third a leopard. The fourth he described as a “dreadful and terrible,” beast with ten heads.

John apparently described seeing the same beast, although his description varies slightly from Daniel’s. “And I stood upon the sand of the sea, and saw a beast rise up out of the sea, having seven heads and ten horns, and upon his horns ten crowns, and upon his heads the name of blasphemy.” (Revelation 13:1.)

Further, John also described seeing aspects of the leopard, bear and lion in his beast. (Revelation 13:2.)

This suggests that they were describing the same images.
And John added this peculiar detail: “And I saw one of his heads as it were wounded to death; and his deadly wound was healed: and all the world wondered after the beast.” (Revelation 13:3.)

Astoundingly, this beast—wounded head and all—was depicted in Mesopotamian cylinder seal art hundreds of years before John and Daniel described seeing them in vision.

Here we see the Babylonian dragon Tiamat, clearly the archetype of John’s and Daniel’s beast, doing battle with Marduk. Note that this illustration predates John and Daniel, meaning that these were not borrowed from the Hebrew prophets.

Another example of this link of ancient imagery with prophetic imagery is found in Ezekiel, Revelation and the Pearl of Great Price.

Ezekiel also saw a creature with four heads, listed as that of a man, a lion, an ox and an eagle. (Ezekiel 1:10.) John listed the four as well as a man, a lion, a calf and an eagle. (Revelation 4:6, 7.)

Most stunning of all to Latter-day Saints is that these same four “beasts” can be seen in Facsimile No. 1 in the Pearl of Great Price, where Joseph describes them as “idolatrous gods.”

Some beasts of prophecy are virtually identical to the four images on Egyptian funerary jars, seen here beneath the couch.

We tend to think of scriptural imagery as unique, something completely separate and apart from that of other cultures and religions. But the above examples, and many more like them, amply demonstrate that this is not so.

The prophets’ sacred imagery drew its symbolism from the same sources as the idolatrous imagery of the pagans, hence the conspicuous similarities between mythological imagery and scriptural imagery.

As it turns out, we have been repeatedly exposed to these images. We simply failed to recognize them in the scriptures because our mindset told us they were images of things from the future, not the past.

Thus, we see that while the visions of the prophets may have been about the future, the imagery they employed was already ancient in their day.
So it is that we must first look backward in time to learn the meaning of those ancient symbols before we can properly attempt to interpret their use in visions of future events.

This is likely what Peter meant when he wrote, “We have also a more sure word of prophecy ….” (2 Peter 1:19.) That is to say, the images of prophecy were well established and understood in his day. Then, for clarity, he added, “Knowing this first, that no prophecy of the scripture is of any private interpretation.” (2 Peter 1:20.) In other words, guessing—the preferred method of modern interpreters—is out. Of course, to know the meaning of these symbols, “…they being types to represent certain things,” we must learn their source and what they meant to those who held them sacred.

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